The gallery installation of The Spectrascope
consists of a large scale projection of the image updating in real-time
accompanied by the 'fear frequency'.
This is an audio frequency of 19hz, which is just below the range of normal
hearing (infrasound), but which has been linked to distorted vision (including
spectral images), discomfort, and 'irrational' fear and has been found
to be present at sites of apparently haunted locations. Introducing this
frequency to the gallery invites the viewer to question whether the frequency
itself is creating the disturbance or whether the site of haunting is
creating the frequency.
Time becomes intrinsic to the work as the previous 76,800 seconds (just
under a day) are displayed pixel by pixel within a continuously updating
timelapse film, caught in a single frame. Poised between the still and
the moving image, the lens and the pixel, the installation explores how
images can be coded and decoded using both light and time as building
blocks for the work. In The Spectrascope time is counted across
the room from top left to bottom right in vertical lines.
This version of The Spectrascope was commissioned for the
StoryRooms exhibition in the 1830 Warehouse of the Museum of Science
and Industry in Manchester (11th October 2005 until 15th January 2006),
and has been exhibited as part of The
Blur of The Otherworldly: Contemporary Art, Technology and the Paranormal,
at the Center for Art and Visual Culture, Baltimore (20th October to 17th
December 2005); A Retrospective of British Media Art, Kunsthaus,
Dresden, Germany (9-19 November, 2006) and Video Vortex, at Montevideo/The
Netherlands Media Art Institute in Amsterdam (20th October until 2nd
December 2007).
An earlier version of the Spectrascope was commissioned for Haunted
Media, Site Gallery Sheffield in 2004